Meditation on the Choice Not to Read

Yesterday on Tumblr I shared this image:

(via piratespook) adding the comment "or for not reading!" It seemed sensible to me, from my perspective as a public librarian, that not everyone wants to read. I got some pushback for this position, including a response that said if a person is proud of not reading, if they actively denigrate it, then "F them."

I find it hard to imagine myself being in a situation where someone I'm interacting with is trumpeting their hatred of reading. However, let me stretch my imagination a bit. I'm going to confine my scenario to the adult patrons I help at my job. If I had a patron who volunteered how much he or she hated reading, I would not tell them to fuck off. I would assume that they have good reasons to feel that way, most likely because people in positions of authority like mine have been telling them for most of their lives that they need to read or have to read or that they should be reading something "good" for them.

Some people have learning disabilities that makes it very difficult for them to read. Some people have been systematically taught that reading is a chore that must be completed. Some people just don't like reading AND THAT IS OKAY. I have many, many adult patrons who do not use the library for books. But if I wanted information about the interesting movies that are going to be coming out soon, I know just who I would ask. If I wanted to know one patron's opinion of the best one-hit wonders of the 60s and 70s, he would tell me in a heartbeat. I may read more than 100 books a year, but they know a hell of a lot more than I do about the media they consume.

Modern libraries are about more than books,* they are about providing access to stories--both the stories people want or need to consume, and those they create using the tools we provide them (with their tax dollars). If we limit ourselves to a rigid definition of "read or get the fuck out," we are doing ourselves, and our patrons, a great disservice. Let's not presume to judge any other person's reading, watching, listening, or internet browsing choices.**

The only choices that I am qualified to judge are my own.

There is nothing shameful about choosing not to read.


Meditation Index

*Note: I am not saying that libraries don't need books.
**And while we're at it, let's dispense with the concept of "guilty pleasures"--everyone is entitled to like what they like.

Book Review: The Dark Garden [2007]

A cover of the re-released The Dark Garden promises "If you loved Fifty Shades of Grey, then you'll love this." While this may be true, it won't be because they are similar books. Eden Bradley's 2007 book is yet another caught up in the rebranding craze inspired by 50 Shades. However, it is true that 10% of the sources I consulted for this project considered The Dark Garden a good fit--both male protagonists are named Christian, after all...

Rowan Cassidy is a Mistress at an exclusive BDSM club in Los Angeles. After an abusive experience as a submissive during her college years, Rowan is determined never to let anything out of her control again--yet she's been secretly writing about submissive experiences. When dominant newcomer Christian Thorne catches her eye, she's ready for a change. Christian sees a deep need in Rowan that he wants to explore in a safe space, and he proposes an agreement wherein they will delve into her submissive side over a thirty-day period. Despite her misgivings, Rowan accepts the challenge.

As he patiently guides Rowan toward self-discovery, both Christian and Rowan struggle to avoid developing deeper feelings that might complicate their therapeutic relationship. Christian doesn't want to take advantage of Rowan when they've agreed not to have sex; Rowan keeps getting close to understanding more about herself, but her automatic response is to run. The subplot, which is more overtly concerned with BDSM and is actually rather sweet, involves April--new to the scene--and Decker, who is notorious for his unwillingness to settle with one partner. Their romance provides some much-needed relief from the emotion and angst of Christian and Rowan.

Grade: B-

Despite the fact that the male lead is named Christian and the story explores some aspects of BDSM, The Dark Garden is not much like Fifty Shades of Grey. Rowan's strength and experience masks her uncertainty, and Christian doesn't demonstrate a need to be dominant in all aspects of her life. The thirty-day bet is similar to the conceit of Beautiful Disaster, however, as is the characters' determination not to get together when they clearly want to be together romantically. There are some "posh" elements--Christian and Rowan aren't hurting for money--but there isn't a lot of label name-dropping. In terms of "bondage as a road to healing," I found it similar to (although not as explicit) another book I read for this project, Joey W. Hill's Holding the Cards.

The Dark Garden was a bit of a struggle for me to finish. I got it as a library ebook, though, and had to finish it within fourteen days before it disappeared. I'm not sure I would have made it through if not for April and Decker.

Reading Roulette: Seventh Pick

I feel like I am making some progress! It's probably an illusion, I realize.

The Lies of Locke Lamora, Scott Lynch (2006)

The Thorn of Camorr is said to be an unbeatable swordsman, a master thief, a ghost that walks through walls. Half the city believes him to be a legendary champion of the poor. The other half believe him to be a foolish myth. Nobody has it quite right. Slightly built, unlucky in love, and barely competent with a sword, Locke Lamora is, much to his annoyance, the fabled Thorn. He certainly didn't invite the rumors that swirl around his exploits, which are actually confidence games of the most intricate sort. And while Locke does indeed steal from the rich (who else, pray tell, would be worth stealing from?), the poor never see a penny of it. All of Locke's gains are strictly for himself and his tight-knit band of thieves, the Gentlemen Bastards.

Locke and company are con artists in an age where con artistry, as we understand it, is a new and unknown style of crime. The less attention anyone pays to them, the better! But a deadly mystery has begun to haunt the ancient city of Camorr, and a clandestine war is threatening to tear the city's underworld, the only home the Gentlemen Bastards have ever known, to bloody shreds. Caught up in a murderous game, Locke and his friends will find both their loyalty and their ingenuity tested to the breaking point as they struggle to stay alive...

First in a series that has been recommended in several locations. The audiobook is on its way to me right now, thanks to the magic of interlibrary loan.

The Amazing Adventures of Kavalier & Clay, Michael Chabon (2000)

Joe Kavalier, a young Jewish artist who has also been trained in the art of Houdini-esque escape, has just smuggled himself out of Nazi-invaded Prague and landed in New York City. His Brooklyn cousin Sammy Clay is looking for a partner to create heroes, stories, and art for the latest novelty to hit America - the comic book. Drawing on their own fears and dreams, Kavalier and Clay create the Escapist, the Monitor, and Luna Moth, inspired by the beautiful Rosa Saks, who will become linked by powerful ties to both men. With exhilarating style and grace, Michael Chabon tells an unforgettable story about American romance and possibility.

Various people have recommended this to me, and now I'll finally get around to reading it.

For Darkness Shows the Stars, Diana Peterfreund (2012) 

It's been several generations since a genetic experiment gone wrong caused the Reduction, decimating humanity and giving rise to a Luddite nobility who outlawed most technology. Elliot North has always known her place in this world. Four years ago Elliot refused to run away with her childhood sweetheart, the servant Kai, choosing duty to her family's estate over love. Since then the world has changed: a new class of Post-Reductionists is jumpstarting the wheel of progress, and Elliot's estate is foundering, forcing her to rent land to the mysterious Cloud Fleet, a group of shipbuilders that includes renowned explorer Captain Malakai Wentforth--an almost unrecognizable Kai. And while Elliot wonders if this could be their second chance, Kai seems determined to show Elliot exactly what she gave up when she let him go.

But Elliot soon discovers her old friend carries a secret--one that could change their society . . . or bring it to its knees. And again, she's faced with a choice: cling to what she's been raised to believe, or cast her lot with the only boy she's ever loved, even if she's lost him forever. Inspired by Jane Austen's Persuasion, For Darkness Shows the Stars is a breathtaking romance about opening your mind to the future and your heart to the one person you know can break it.

I pre-ordered a copy of this from my local bookstore when it came out, and it's been waiting patiently on my shelf ever since. I may also have to throw in a re-read of Persuasion as well.


Why am I doing this?