When I was ordering paperbacks a months ago, I immediately added Soulless by Gail Carriger to my cart, because I knew from its description alone that it would be completely awesome. And of course, I was right. Soulless is utterly charming. I am charmed. If it didn't have multiple holds on it, I would keep it to read again instead of releasing it back into the library system. However, I am generally kind and don't want to prevent other patrons from enjoying it. I am, however, considering buying my own copies and forcing them on various friends, if this review doesn't immediately make them want to read the book. Which it should, because I have impeccable taste.
Alexia Tarabotti is regrettably (in the eyes of her family and the London ton) a half-Italian spinster who combines bluestocking tendencies with the unnerving habit of speaking her mind. She is also lacking a soul, a fact known only to those in the supernatural community, including the ill-mannered (but strangely appealing) Lord Maccon, alpha werewolf and head of the government's Bureau of Unnatural Registry (BUR). Being soulless, or preturnatural, grants her the ability to negate other supernatural powers. After an unfortunate incident that ends in the staking (with the help of her wooden hair stick and trusty weighted parasol) of an unregistered vampire, Alexia and Lord Maccon's paths cross and re-cross as the BUR attempts to get to the bottom of a series of disappearances in the supernatural community. Populated by endearing secondary characters, plenty of electricity between the leads, a fully-realized and enchanting alt-Victorian London, and abundant descriptions of couture, comestibles, and steampunk gadgetry, Soulless is a feast for the senses and, so far, my favorite book of 2009.
Grade: A (obviously)
Random Thoughts:
This was much more like a romance novel than I initially thought it would be. For me, this was excellent, as I love a good romance--however, anyone looking for hard urban fantasy should be prepared more for an Amanda-Quick-ish supernatural.
I was reading this book while walking around the house carrying a fretful baby. Carriger's turns of phrase often made me grin like a madwoman. I can't wait for the sequel to come out, and you can bet that I'll be ordering it for the library.
I don't generally ever choose the werewolf in any situation where such a choice is possible. For example, Edward beats Jacob (although--what a choice . . .), and for me Jean-Claude is always preferable to Richard. However, suddenly Lord Maccon has appeared and provided some weight to tip the scales toward the furry side. Here is a werewolf whom one could embrace wholeheartedly, if one were of an appropriately soulless state. Not to say that I wouldn't embrace Lord Akeldama--he is adorable, and one of the few fully realized gay characters who (spoiler alert) does not get killed that I can remember existing. I just adore his army of foppish, yet secretly capable, minions.
The author's website.
Wednesday, November 4, 2009
Book Review: Rosemary and Rue [2009]
I'm a fan of urban fantasy, thought I haven't read a lot of it lately, and decided to pick this one up while doing my paperback order. Rosemary and Rue, by Seanan McGuire, is the first of a series of books featuring the changeling character October "Toby" Daye. As the product of human and Faerie blood, changelings are not entirely welcome in either world, and although Toby once forged a place in Faerie as a knight for the Duke of Shadowed Hills, she has since repudiated all connections to that world. In fact, Toby apparently lived quite an event-filled life before the book even begins: she was engaged to and had a daughter with a human man before her "private investigator" status in Faerie landed her in a fourteen-year imprisonment in a koi pond. As the action begins, she works as a grocery clerk, is unable to speak to her daughter, and exists in a voluntary state of friendlessness. The setting may be fantastic but the action is a straight-up mystery, revolving around the death of one of Toby's old allies, Countess Evening Winterrose. The Countess has cursed Toby with discovering the truth of her murder with cold iron, and the task becomes a race against time as well as Toby's forceful reintroduction into the world of Faerie. Although there is a lot of (necessary) exposition and explanation of the laws of Faerie, etc., this is a solid series opener with some intriguing characters that left me hopeful that some of the many threads left hanging will be picked up in the next volume.
Grade: B
The author's website.
Grade: B
The author's website.
Book Review: Ash [2009]
I have read and enjoyed Malinda Lo's work on AfterEllen for many years now, so it was with great pleasure that I heard of the imminent publication of her first young adult novel, Ash. A reworking of the Cinderella story, Ash draws heavily on fairy tale tropes but colors them with a darker, almost gothic flavor.
Aisling ("Ash") is young when her mother dies unexpectedly, and somewhat puzzled when her father remarries and brings a City lady and her two daughters to live in their quiet village. After her father's startling death and their subsequent removal to her stepmother's house, she finds comfort in tales of the fairies, who are said to thrive in the adjacent Wood. These stories emphasize that, when dealing with those of the other world, a price must always be paid. Moved at first by her absolute certainty that her mother must still be alive, Ash delves deeper and deeper into the Wood, eventually becoming acquainted with the mysterious Sidhean, a fairy with an unknown agenda. Although she is drawn to him and finds their odd friendship the only remedy for an increasingly abusive relationship with her stepmother, she also becomes intrigued by the King's Huntress, Kaisa. She is torn between her certain knowledge that Sidhean can take her away from all earthly struggles, and the golden glow of her interactions with Kaisa. However, in order to enter the world of the Huntress, she strikes bargains with Sidhean that could put her newfound life in jeopardy. Though the plot sometimes moves at an agonizingly slow pace, this is one fairy-tale reimagining that is definitely worth a thoughtful read.
Grade: A-
Random Thoughts:
Lo also develops an interesting tension between the "old ways" (primarily female and earth-oriented, represented by the greenwitches) and the book learning of the "philosophers," who tend to be men.
After thinking about it, I would say that agency is one of the most important themes of the book. Ash spends a good deal of the narrative having things done to her, and must learn to make her own decisions and deal with the consequences of her actions.
Interview with Malinda Lo on AfterEllen.
The author's website.
Aisling ("Ash") is young when her mother dies unexpectedly, and somewhat puzzled when her father remarries and brings a City lady and her two daughters to live in their quiet village. After her father's startling death and their subsequent removal to her stepmother's house, she finds comfort in tales of the fairies, who are said to thrive in the adjacent Wood. These stories emphasize that, when dealing with those of the other world, a price must always be paid. Moved at first by her absolute certainty that her mother must still be alive, Ash delves deeper and deeper into the Wood, eventually becoming acquainted with the mysterious Sidhean, a fairy with an unknown agenda. Although she is drawn to him and finds their odd friendship the only remedy for an increasingly abusive relationship with her stepmother, she also becomes intrigued by the King's Huntress, Kaisa. She is torn between her certain knowledge that Sidhean can take her away from all earthly struggles, and the golden glow of her interactions with Kaisa. However, in order to enter the world of the Huntress, she strikes bargains with Sidhean that could put her newfound life in jeopardy. Though the plot sometimes moves at an agonizingly slow pace, this is one fairy-tale reimagining that is definitely worth a thoughtful read.
Grade: A-
Random Thoughts:
Lo also develops an interesting tension between the "old ways" (primarily female and earth-oriented, represented by the greenwitches) and the book learning of the "philosophers," who tend to be men.
After thinking about it, I would say that agency is one of the most important themes of the book. Ash spends a good deal of the narrative having things done to her, and must learn to make her own decisions and deal with the consequences of her actions.
Interview with Malinda Lo on AfterEllen.
The author's website.
Labels:
Book Review,
Fairy Tale,
GLBT,
Lesbian,
Top-Rated,
Young Adult
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