Reading Roulette: Seventh Pick

I feel like I am making some progress! It's probably an illusion, I realize.

The Lies of Locke Lamora, Scott Lynch (2006)

The Thorn of Camorr is said to be an unbeatable swordsman, a master thief, a ghost that walks through walls. Half the city believes him to be a legendary champion of the poor. The other half believe him to be a foolish myth. Nobody has it quite right. Slightly built, unlucky in love, and barely competent with a sword, Locke Lamora is, much to his annoyance, the fabled Thorn. He certainly didn't invite the rumors that swirl around his exploits, which are actually confidence games of the most intricate sort. And while Locke does indeed steal from the rich (who else, pray tell, would be worth stealing from?), the poor never see a penny of it. All of Locke's gains are strictly for himself and his tight-knit band of thieves, the Gentlemen Bastards.

Locke and company are con artists in an age where con artistry, as we understand it, is a new and unknown style of crime. The less attention anyone pays to them, the better! But a deadly mystery has begun to haunt the ancient city of Camorr, and a clandestine war is threatening to tear the city's underworld, the only home the Gentlemen Bastards have ever known, to bloody shreds. Caught up in a murderous game, Locke and his friends will find both their loyalty and their ingenuity tested to the breaking point as they struggle to stay alive...

First in a series that has been recommended in several locations. The audiobook is on its way to me right now, thanks to the magic of interlibrary loan.

The Amazing Adventures of Kavalier & Clay, Michael Chabon (2000)

Joe Kavalier, a young Jewish artist who has also been trained in the art of Houdini-esque escape, has just smuggled himself out of Nazi-invaded Prague and landed in New York City. His Brooklyn cousin Sammy Clay is looking for a partner to create heroes, stories, and art for the latest novelty to hit America - the comic book. Drawing on their own fears and dreams, Kavalier and Clay create the Escapist, the Monitor, and Luna Moth, inspired by the beautiful Rosa Saks, who will become linked by powerful ties to both men. With exhilarating style and grace, Michael Chabon tells an unforgettable story about American romance and possibility.

Various people have recommended this to me, and now I'll finally get around to reading it.

For Darkness Shows the Stars, Diana Peterfreund (2012) 

It's been several generations since a genetic experiment gone wrong caused the Reduction, decimating humanity and giving rise to a Luddite nobility who outlawed most technology. Elliot North has always known her place in this world. Four years ago Elliot refused to run away with her childhood sweetheart, the servant Kai, choosing duty to her family's estate over love. Since then the world has changed: a new class of Post-Reductionists is jumpstarting the wheel of progress, and Elliot's estate is foundering, forcing her to rent land to the mysterious Cloud Fleet, a group of shipbuilders that includes renowned explorer Captain Malakai Wentforth--an almost unrecognizable Kai. And while Elliot wonders if this could be their second chance, Kai seems determined to show Elliot exactly what she gave up when she let him go.

But Elliot soon discovers her old friend carries a secret--one that could change their society . . . or bring it to its knees. And again, she's faced with a choice: cling to what she's been raised to believe, or cast her lot with the only boy she's ever loved, even if she's lost him forever. Inspired by Jane Austen's Persuasion, For Darkness Shows the Stars is a breathtaking romance about opening your mind to the future and your heart to the one person you know can break it.

I pre-ordered a copy of this from my local bookstore when it came out, and it's been waiting patiently on my shelf ever since. I may also have to throw in a re-read of Persuasion as well.


Why am I doing this?

Book Review: The Broken Teaglass [2009]

I was very keen to read The Broken Teaglass when I first heard about it. After all, it has a lot of elements that I find appealing: lexicography, mystery, and local interest--the author currently lives in nearby Shelburne Falls and worked at Merriam-Webster, right up the street from the central library in Springfield. Despite the fact that first-person narrator Billy, a recent college graduate with a secret in his past, is male, a lot of the narrative details seem drawn from Emily Arsenault's own experience. The details of lexicographical work at the "Samuelson Company" certainly do not disappoint, and in many ways the public service aspect (Billy and a co-worker field calls and letters from inquiring dictionary users for definitions and clarifications) reminded my of my own job as a reference librarian. However, I have some lingering uncertainty as to the lasting power of the "mystery" itself. Billy and his co-worker Mona fall into a friendship as they pursue the curious citations from a non-existent novel called The Broken Teaglass, which seems to be about some former Samuelson employee's deadly encounter. As they learn more about each other, and work to uncover what happened in 1985, it becomes clear that the novel is less about the mystery itself than about Billy's struggle to find a place for himself in the post-college world. I have certainly read my share of twentysomething angst books disguised as genre fiction (The Magicians comes to mind as a recent example), and that wasn't really what I was looking for here. However, I have already used at least one quote in conversation:

"Oh, Billy," she said, opening her door. "Don't hate words. Hate the people who misuse them."

Overall, I found the book engaging and its premise fascinating, despite the fact that the narrative sometimes seemed to be backtracking.

Grade: B

Random Thoughts: What happened to the character of Tommy? He seemed so present and mysterious in the first half of the book, and then appeared only briefly in the second act as an ex machina character to move the plot along.

Why didn't Billy and Mona ever pursue the question of where Mary Anne went after she left Samuelson?

I doubt I will ever open a dictionary and not think of this book.