Book Review: Beautiful Disaster [2011]

Jamie McGuire's Beautiful Disaster was mentioned twenty percent of the time in the sources I consulted about readalikes for the 50 Shades trilogy. It was one of the few books that I was actually able to find on the shelf at my library. Some spoilers follow.

The book told from the perspective of Abby Abernathy, a college freshman who is trying to make a fresh start and leave her troubled past behind. Through her best friend America, she meets the heavily tattooed Travis Maddox. A serial womanizer, fight club champion, and heavy drinker,Travis is everything that Abby is trying to escape from, yet she finds herself drawn to him. Abby is the only girl who has ever encountered Travis and not immediately succumbed to his charms. Although she's attracted, she manages to do an excellent job of avoiding falling into a romantic relationship with him.

After they become friends, Abby and Travis make a bet that results in her moving in to his apartment for a month and drastically increasing the intimacy between them, despite the fact that she begins to date someone else. Despite his protestations of disinterest, Travis has great difficulty seeing her with anyone else, and eventually the simmering attraction between them is addressed.

I don't want to say too much about what happens and spoil the rest of the book. If she had stopped with Abby and Travis getting together, McGuire would have had herself a garden-variety romance. However, the plot continues through revelations about Abby's past, a breakup, a trip to Vegas, and a fight club disaster before it reaches its conclusion.

Grade: B-

Beautiful Disaster was one of the least sexually explicit books I've reviewed for this project. However, it has such an emotional roller coaster ride in the relationship depicted that it still qualifies, in my opinion, as a very good readalike for 50 Shades of Grey. It's told from Abby's first-person perspective, and her emotions and reactions are always in the foreground. Like Ana, she's a virgin, although she is far from naive. Travis is troubled, violent, aggressive, and absolutely obsessive about Abby, in the grand tradition of Christian Grey and countless other alpha males. McGuire does a good job of establishing Abby and Travis as believable friends before they become lovers. Once they're together, their level of obsessive need for one another feels similar to that described in 50 Shades and the Crossfire books.

The focus on eighteen and nineteen-year old characters in their first years of college, however, suggests that this title might be best described as (deep breath) New Adult. Given that, I wouldn't hesitate to give this book to teens who might be interested in the emotional content of a contemporary romance but not quite ready for an onslaught of sexual description. In that way, it might best be described as a more mature (and not at all paranormal) Twilight.

All that said, I had some issues with the plot. For example, Abby's father precipitates a particular plot twist, and then disappears for the rest of the book. The "will they-won't they" dragged on too long for my taste. There are probably those that feel a violently possessive friend/boyfriend is an attractive character, but that's just not my cup of tea. I also wish that characters in these books would stop calling each other by stupid nicknames; Travis calls Abby "Pigeon" or "Pidge" about a hundred times, and it made me want to scream by the time I was done.

McGuire just published Walking Disaster, which apparently tells the same story from Travis's perspective. This recalls Stephenie Meyer's abortive Midnight Sun, which re-told Twilight from Edward's point of view. The story at the time was that it had been so soundly mocked online that Meyer vowed never to finish it, but it seems it was the movies that interfered with her creative vision. But for those that want to experience the story again from a new perspective, Walking Disaster seems like a good bet.

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Book Review: Freedom & Necessity [1997]

Several years ago, my sister gave me a copy of Freedom & Necessity, which came up in my second Reading Roulette* draw, enabling it to come off the bench and into the game at last. The book is an epistolary novel from science fiction fantasy heavyweights Steven Brust and Emma Bull that takes place, for the most part, in 1848 England.

As the novel opens, James Cobham--presumed dead, but in reality having recently escaped from captivity--writes his cousin Richard to enlist his assistance in uncovering the mystery of his "death." Their investigation evolves to include their cousins Kitty (romantically involved with Richard) and Susan. The story is told through letters between the four principal characters and their journal entries, with a few scattered newspaper clippings and book excerpts for good measure. Once the plot really gets going, it's rare to find any of the four in the same place at the same time, which makes the format choice logical, along with the fact that it was written by two authors.

The four relatives are all members of England's upper class, but it's revealed early on that James has long been living a double life as a radical and Chartist sympathizer. The identity of his pursuers, and whether they would prefer his death or recapture, is in doubt for most of the book and could be one of several groups. As questions continue to increase in number, with few answers forthcoming, the four work disparately and together to gather clues and put together information from their family's past to unravel the events of the present before it's too late.

It's difficult to describe the plot except to say that it involves revolutionaries and political intrigue, cross-country chases, family history, romance, and a group of people practicing a druidical magic. There is a great deal of discussion of Hegel, much of which went right over my head. The epistolary format sometimes lends itself to rambling and reflective passages that would definitely frustrate a reader looking for continuous action. However, the conclusion was well-plotted and satisfactory.

Grade: B+

While not precisely fantasy, the book does play with some fantastical elements, especially where the character of Kitty is concerned. If forced to put it in a genre, I'd call it historical fiction. Susan's character in particular was a delight to read, as she uses the mysterious events as a launching point to exercise a range of talents that she was never able to access in her role as a lady:

I'm doing this mostly because it's opened wide a door to a room inside me that before I could only guess at by the light along the sill and through the keyhole. It's a room in which all those things in me that, living the normal life of a well-bred woman, I could never use--strength and speed and hardiness; command over my mind and body; respect for the language of my senses; a certain ferocity of the spirit--are not only useful but essential (146).

This book is definitely not for everyone. If you're not down with having Friedrich Engels as a supporting character, don't even bother. But if you're interested in mid-19th century English history, if you like complex characters with flawed relationships, if you don't mind the occasional philosophical ramble . . . this book is definitely a good choice.

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*Which project has been sadly neglected in my attempt to read as many 50 Shades of Grey readalikes as possible, but which is now back on track as if those three months never happened. In my attempt to get this book (begun in February of this year) actually read, I resorted to keeping one copy at work, one at home, and one in my car.

Book Review: Too Much Temptation [2002]

Lori Foster's Too Much Temptation was a less-recommended 50 Shades readalike than some I've discussed here, but it was available and came in through ILL! Sometimes you take what you can get.

After Noah Harper discovers his bride-to-be in bed with another man, he's too much of a gentleman to explain the reason for his broken engagement to his high-society grandmother, Agatha. When she promptly disinherits Noah in an attempt to change his mind, her personal assistant, Grace Jenkins, leaps to his defense. Grace has always had a soft spot for the scarred, streetwise kid who made himself into an entrepreneurial success after Agatha adopted him. She's been in love with him for years, but is accustomed to men viewing her plus-size body as friend material rather than fodder for sexual fantasies.

After caring for a drunk Noah and waking up in his bed, Grace finds herself agreeing to a no-strings sexual relationship with him, in which--while they are in the bedroom only--she will accede to his every desire. But Noah soon finds that despite his stated wish for an attachment-free relationship, he's getting serious about being with Grace. Plagued by insecurity and determined not to invest her heart, Grace nonetheless throws herself into the opportunity to be intimate with the man she loves. There are some shenanigans with a family-owned restaurant and Noah's ex, but those are pretty much beside the point.

Grade: B

I understand why it only got six mentions out of fifty sources in terms of being a 50 Shades readalike. Too Much Temptation is essentially a traditional romance novel that plays a little bit with kink (the theoretical bedroom "slave" scenario) and is distinguished by its dominant male protagonist. However, there are several similarities. Like Ana, Grace is a virgin. Noah does have the tormented foster kid backstory that 50 Shades fans will be familiar with, and perhaps drawn to. The story takes place in a setting of wealth and privilege.

The parts I liked about this book had no bearing on its relationship with the E.L. James books. I liked that Noah talked with Grace about her body and how she saw herself, and how she slowly gained confidence, especially sexually. I liked that the relationship between Noah, Grace, and Agatha was thorny and complicated. I liked that Grace actually had to find a new job, and that she pursued it even though she knew it would make Noah frustrated. It was an enjoyable read, and I'd definitely read the sequel featuring Noah's half-brother.

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